Agent X

I’ve spent the last few days putting together a letter and synopsis for ‘DarkFather’ which is to be sent out to potential agents. This has become an art form in its own right and one that I deliberately take time and effort over. It is also a job I find almost soul destroying. All the effort you put into a novel, the creation, the honing, the rewrites, is boiled down to a one page synopsis, a letter and a couple of chapters. From this you have to hope that your work is considered good enough by whoever picks up that days mail.
To make matters worse every agent has slightly different criteria for how they want the work presented, how they want to be approached and how long you have to wait for any kind of response. The worst is the fact that you can only approach one agent at a time and as most of them have an eight week turn around that means you can only approach six agents a year (not taking into account holidays etc).
I work within the system but I’m sure there must be a better way of doing things that doesn’t open the agents up to huge amount of rubbish material being sent to them while at the same time allowing potential authors to showcase their work to more than one agent at a time.

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The Kingsway tunnels are up for sale. Interesting article with pictures in The Independent.

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Seeing Neil Gaiman on Tuesday. I will report back with pictures.

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Apparently when I sign into Blogger this is post number 100, but when I count them on the side bar list I can only see 96 (this being number 97). I’ll wait for three more and then celebrate the 100 mark.

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I’ve been working on several book reviews this week for the BFS so I can’t tell you what I’ve been reading, however I did manage to get a couple of comics in as well.

Batman: The Cult is a good read showing the Caped Crusader starting his adventure on the back foot having been captured by a strange mystic called Deacon Joseph Blackfire; either a charlatan or else a long living Native American mystic. Weakened from lack of food, constant beatings and through the use of drugs the Batman is brainwashed into joining the Deacon’s gang of homeless people as they violently take over the streets of Gotham. It starts off as a clever mediation on power and corruption but unfortunately does not take this all the way to end.

Dark Victory is the better of the two Batman comics. Here Batman relies on his detective skills as he searches for a mysterious calendar killer over a year. It’s set in the early days of his career, not long after Harvey Dent has become the mentally and physically scarred Two Face. All the bad guys are present along with a mafia family and corrupt police force.
In the introduction by Tim Sale (the excellent artist of this book) he states he doesn’t like the character of Robin and never wanted to do a comic book with him in. I fully understand, I’ve always thought of him as a silly character that does nothing for the series. Thankfully, the story does not bring him in until the end but still he manages to be annoying in the small section he does appears in.

Read this week:

Batman: Dark Victory by Joseph Loeb and Tim Sale
Batman: The Cult by Starlin, Wrightson and Wray

Going up the mountains

I’m working through ‘DarkFather’ in the two weeks respite I get from the editing of ‘The Missing’. I’m tidying up the story in places and increasing the presence of characters who I think need a little more room to breath. I also want to make the start a little bit punchier.

I’m off to Aviemore this weekend, cycling over mountains raising money for three charities. So far I’ve raised over £400 with all funding matched by the organisers. I imagine it will be hard going as it’s rained constantly throughout August and the weekend forecast does not look much better. I’ll put up some picture next week of me all exhausted and muddy.

Got my tickets through today for a writer event I’ve been waiting some time for. Mr Neil Gaiman is coming to Scotland, and what’s more he’s coming to the book shop just up the road from me. I’m looking forward to his new work as it’s YA and will be an interesting read in line with my own work.

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The Fourth Bear is Jasper Fford’s latest in the Nursery Crime Division works. As always with Fford (that is his real name by the way) the laughs come hard, fast and often with allusions to other works of literature, music or film. You could spend forever and a day trying to keep up with the wry nods but instead you should enjoy the books for their quirky humour. He is one of the best writers around today for laugh out loud prose.
I was fortunate enough to meet him this summer and you can tell there is a keen mind behind these works, one that enjoys puzzles and word play. I asked him if anyone had ever considered turning the works into comics as they are rich in nursery rhyme characters and he said that many had but nothing had ever happened. If there’s any budding comic book authors reading this, get on to it now.

Rex Mundi is a comic book that started life before Da Vinci Code which is interesting because they contain similar themes. Unlike the Dan Brown book Rex Mundi is set in a world where the American Civil War has ended in stalemate and the Catholic Church controls most of Europe, also sorcery is a real problem.
The story is a little sparse in places, but the artwork by EricJ is lush and precise, turning Paris into a dark mediaeval / 30s inspired city. There are also some good scenes under Paris, travelling along the vast sewers that mimic the street layout above so accurately that they share the same names (true), plus mention of catacombs being found containing the bodies of prior inhabitants (also true). Well worth a read and I’m sure I’ll get book 2.

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Read this week:
The Fourth Bear by Jasper Fford
Rex Mundi: The Guardian of the Temple by Arvid Nelson et al.

"I Coulda Been a Contender...."

The festival had its official start on Friday evening (I wasn’t there but I sure heard the fireworks from the castle), and we got to see our first event on Saturday afternoon with a production of ‘On the Waterfront’. Adapted from the film starring Marlon Brando (which I thought I had seen but having watched the play realised I hadn’t) this is Steven Berkoff’s stage adaptation from my old stomping ground The Nottingham Playhouse.
A little disjointed at the beginning with dialogue that was meant to fizzle but fell flat, the play didn’t really get going until the second half. I’ll put this down to first night nerves and the fact both Berkoff and the writer Budd Schulberg (of more below) were in attendance. Once this was overcome and the actors settled into their roles the play picked up speed and moved along to a soaring conclusion. Simon Merrells who took the Brando part made the character his own, shying away from doing a Brando impersonation. There were some nice set pieces on a simple stage, culminating in a funny pigeon coop scene. One of the things that will stay in the memory long after the story has faded is the faces of the actors, Berkoff has put together a group with strong features that put me in mind of Dick Tracy villains, all flat noses and squinting eyes.
As I mentioned Budd Schulberg was in the audience and at the end of the play he was brought on stage by the cast. Now elderly (born 1914), he cut an intelligent and still very much aware figure. Having written such a prominent Hollywood movie as ‘On the Waterfront’ I had a quick google to find out more about him and discovered a man who has had a full and interesting life from meeting and working with F. Scott Fitzgerald, arresting the Nazi film maker Leni Riefanstahl to the dark days of the House of Un-American Activities Commission – a man who has truly been at the centre of US history.

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I’ve been reading ‘Through a Glass, Darkly’ this week which is good but you’ll have to read my review in the next issue of Prism to get my full comments on this book.

Miracleman is where Alan Moore tried out some of his ideas for Watchmen. It came first but in some ways I prefer it as it deals with one character rather than several and though not as well known as the later work it shows Alan already playing with the superhero concept. The art work is a little poorly defined for my tastes and the lettering is very small (perhaps I need glasses) but the writing is terrific, it almost contains the depth of a novel.

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There was series of films on BBC 4 last night all looking at the London Underground, its history and effect on modern life. Of particular interest was Arena: Underground which included footage of Margaret Barnett, who sheltered in the Tube during the bombing in the Second World War. Echoes of ‘DarkFather’ – I’ll say no more. You can see the programmes again on the rather good BBC iPlayer

Off to see the very funny Tim Minchin tonight.

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Read this week:
Through a Glass, Darkly by Bill Hussey
Miracleman Book One: A Dream of Flying by Alan Moore, Garry Leach and Alan Davis