A Plethora of Other Arty-Farty Types

The festivals of Edinburgh are gearing up and the city is starting to bloat with visitors and tourists, mingling with acrobats, actors, comedians, writers and a plethora of other arty-farty types. I have my tickets ready and will report back over the coming weeks on my highs and lows of the festival.

Publishing is in a state of meltdown. Tech is changing the industry faster the it is able to keep up. This is probably the worst time ever for a new writer (such as myself) to try and make it with a big publisher (I'm trying, really I am). The publishers are unwilling to enter into lengthy expensive contracts with unproven talent and yet a new model for ebooks has not yet arrived. Publishers are trying to keep up with the demand of readers wanting works quicker and in different formats, but so far they seem to be at loggerheads. So bad has it got that some writers are quitting, which is a real shame. This week M. D. Lachlan (Mark Barrowcliffe) wrote a polite opposite view over at The Speculative Scotsman. I have to say, I agree for the most part with him. I'm a quick writer and I thrive on deadlines. If the last year has taught me anything, it's that I have both the ability and stamina to write and to move my projects along. I just haven't got a publisher (yet) willing to take that chance on me.
The views above were then amplified by both the Guardian and the Independent. Their respective websites carried articles about an established authors inability to sell ebooks (but get free advertising) due to the sheer amount of work being produced and the death throws of the printed medium.

Over at the blog Dee Scribe, there is helpful advice for writers maintaining some kind of network. This is something I plan to concentrate on over the next year. I need to get the writer "Adam J. Shardlow" better known and during the festival is probably the best time to do this. I just need to be a little more assertive at meeting people.

As part of my task of meeting other writers in Edinburgh I plan to visit the Inky Fingers Minifest at some point over the weekend. They are completely free events, so if you get the chance, pop down.

I've been using Twitter for several years now and I didn't realise how many #hashtags for writing there now were. I really should learn some and make use of them. PublishingTalk has a handy list.

Some very lucky students at Napier University get to be taught by a real Doctor Who writer. Wish I could gate crash and meet Robert Shearman. I'll just have to be content with the second half of the new series.

Not writing related, but I wonder if my brother DC Benny has seen the Dark Spartan in action. I believe the real life (and maybe suicidal) superhero prowls his patch.

Slipped Through the Net

I'm reading a novel at the moment that I have been asked to review and I have to say it is probably one of the worse books that I've ever come across. This creates for me a dilemma in that I feel I should review the book honestly but at the same time I find myself as an unpublished writer of novels assuming that this is how people will react to my own work.

The book in question (which I won't name) is full of clichéd characters, a premise that is seriously flawed, the language is poor and the pace almost lethargic. It's just not a very good book and I'm sure any amount of clever editing would not have helped. But the book has made it into print. The publishers are classed as independent, which if you don't know the publishing world, means small print runs and selling (in the main) via the Internet. Now there are some excellent works that get published by the independents, work that is perhaps niche and would not see the light of day without them, but even by their standards this work is dire and that makes me worry that some publishers will give this part of the industry a bad name by putting out works of a substandard nature. My work, 'The Missing', if it gets published, will probably get taken up by the independents and it concerns me to be tarred with the same brush. All I can hope is that similar to the big publishing houses not every book that comes out can be deemed successful or even 'good'. Perhaps this is one of those that slipped through the net.