Sunday, August 24, 2008
Underground Film
Just a quick update to mention Hellboy II and its great subterranean scenes. Very clever use of the Trolls living and trading under Brooklyn Bridge, ancient Ireland's fairy worlds, and Elves hiding out in the New York metro system. The film is lush and clever with some great creatures created by Del Toro.
Watching the Authors
Down to the last chapter of 'The Missing'. I've had my sweep through and a made a few subtle changes. I'll have a call with Maureen later this week, make further changes before printing the entire novel off and reading it as a reader. I want to try and put myself in the position of someone picking the book up off the shelf for the first time and reading it for enjoyment. At the same time it will be read by the chief editor at Libros where further changes can be made.
****
The book festival is now up and running and I was able to see Jasper Fforde read from his new work which is set in a world where colour is a key indicator to your position in life and society. Like all Fforde books the concept sounds alien and completely off kilter but no doubt he'll pull off something unique and funny and tight. If you have never read any of his books pick one up, he's as funny as Pratchett and as clever as Adams. Well worth reading.
Also got to see John Connolly, who was amusing and seemed more at ease speaking to large crowds than when I saw him two years ago. He speaks and reads so fast that he can fit into half an hour what most authors drivel on about for at least two. He read from a work in progress which is a new Charlie Parker novel out next year called 'The Lovers'. It's sound like the supernatural elements have been upped in the new book, which is good because it was something I missed in the last.
I'm off to see Alan Campbell tomorrow which I'm looking forward to.
Outside of the Book festival we saw Jimmy Carr, who was quick and clever and funny and immensely rude in all of the right places.
****
Finished 'The Secret History of Moscow', which is a subterranean fiction work set in Russia where creatures of fable, old Gods and characters from history exist below Moscow. Its from the point of view of Galina who's younger sister turns into a jackdaw and flies away whilst giving birth. Trying to track her sister down she meets with several strange individuals all who suffer from the dislocation of living in modern Russia in a big city that is crime and prejudice ridden.
The book has very much of a Russian feel to it, reading like Tolstoy (thankfully not as long) with plenty of wit. The subterranean world does not feel as fleshed at as the city above but Ekaterina Sedia has an inventive and playful mind and is able to pull on the history of her country and its myths.
'Nevada' is strange and funny and shocking and clever all at the same time. I only heard of Steve Gerber just after he died earlier this year when I discovered he was the creator of Howard the Duck, a character I remember from a film which involved aliens, comedy and inter species love (not something that seemed strange when I was about 10 years old).
This comic book was realised back in 1999 and I picked it up via the excellent book swapping site 'Read it, Swap it', based on Gerber's name. It revolves around an exotic dancer in Las Vegas, her pet ostrich Bolero, time and dimension travel, daemons and cosmic answers. It's a great read and worth picking up, I'll definitely be searching out more of Gerber's work on the back of it.
'Ocean' by Warren Ellis is a straight forward action comic set in space where coffins from an alien race have been discovered in the ice below Europa. It's about corporate greed and the inherent violence of the human species. Great art work by Chris Sprouse and Karl Story.
My final read this week is 'The Vinyl Underground - Watching the Detectives' which is a spin on Hellblazer but with a modern cool edge. It's good and I think it could grow into something very good but at the moment it doesn't have the skill or self awareness of Hellblazer.
****
Read this week:
The Secret History of Moscow by Ekaterina Sedia
The Vinyl Underground - Watching the Detectives by Si Spencer
Ocean by Warren Ellis
Nevada by Steve Gerber
****
The book festival is now up and running and I was able to see Jasper Fforde read from his new work which is set in a world where colour is a key indicator to your position in life and society. Like all Fforde books the concept sounds alien and completely off kilter but no doubt he'll pull off something unique and funny and tight. If you have never read any of his books pick one up, he's as funny as Pratchett and as clever as Adams. Well worth reading.
Also got to see John Connolly, who was amusing and seemed more at ease speaking to large crowds than when I saw him two years ago. He speaks and reads so fast that he can fit into half an hour what most authors drivel on about for at least two. He read from a work in progress which is a new Charlie Parker novel out next year called 'The Lovers'. It's sound like the supernatural elements have been upped in the new book, which is good because it was something I missed in the last.
I'm off to see Alan Campbell tomorrow which I'm looking forward to.
Outside of the Book festival we saw Jimmy Carr, who was quick and clever and funny and immensely rude in all of the right places.
****
Finished 'The Secret History of Moscow', which is a subterranean fiction work set in Russia where creatures of fable, old Gods and characters from history exist below Moscow. Its from the point of view of Galina who's younger sister turns into a jackdaw and flies away whilst giving birth. Trying to track her sister down she meets with several strange individuals all who suffer from the dislocation of living in modern Russia in a big city that is crime and prejudice ridden.
The book has very much of a Russian feel to it, reading like Tolstoy (thankfully not as long) with plenty of wit. The subterranean world does not feel as fleshed at as the city above but Ekaterina Sedia has an inventive and playful mind and is able to pull on the history of her country and its myths.
'Nevada' is strange and funny and shocking and clever all at the same time. I only heard of Steve Gerber just after he died earlier this year when I discovered he was the creator of Howard the Duck, a character I remember from a film which involved aliens, comedy and inter species love (not something that seemed strange when I was about 10 years old).
This comic book was realised back in 1999 and I picked it up via the excellent book swapping site 'Read it, Swap it', based on Gerber's name. It revolves around an exotic dancer in Las Vegas, her pet ostrich Bolero, time and dimension travel, daemons and cosmic answers. It's a great read and worth picking up, I'll definitely be searching out more of Gerber's work on the back of it.
'Ocean' by Warren Ellis is a straight forward action comic set in space where coffins from an alien race have been discovered in the ice below Europa. It's about corporate greed and the inherent violence of the human species. Great art work by Chris Sprouse and Karl Story.
My final read this week is 'The Vinyl Underground - Watching the Detectives' which is a spin on Hellblazer but with a modern cool edge. It's good and I think it could grow into something very good but at the moment it doesn't have the skill or self awareness of Hellblazer.
****
Read this week:
The Secret History of Moscow by Ekaterina Sedia
The Vinyl Underground - Watching the Detectives by Si Spencer
Ocean by Warren Ellis
Nevada by Steve Gerber
Sunday, August 17, 2008
The Hordes Descend
Just a quick post as I've much to do in the arena of getting everything done and dusted before Big Bad Trev arrives tomorrow for a couple of days followed hotly on his heels by The Mater. Festival time seems to be visiting time for family and friends - I can't imagine why!
Saw Bill Bailey on Thursday and he was okay. Nothing amazing, sometimes funny but nothing that made me feel like I was about to regurgitate my ribs (unlike the woman behind me who sounded as if she had brought up all of her internal organs). I guess comics have good days and bad days like anyone else and it kind of felt as if Bailey wanted to be elsewhere.
****
Finished Ch7. of the edit of 'The Missing', so only one more to go. After that I'll have one more read through before the whole lot gets sent off to the Chief Editor of the publishing house.
Saw Bill Bailey on Thursday and he was okay. Nothing amazing, sometimes funny but nothing that made me feel like I was about to regurgitate my ribs (unlike the woman behind me who sounded as if she had brought up all of her internal organs). I guess comics have good days and bad days like anyone else and it kind of felt as if Bailey wanted to be elsewhere.
****
Finished Ch7. of the edit of 'The Missing', so only one more to go. After that I'll have one more read through before the whole lot gets sent off to the Chief Editor of the publishing house.
Saturday, August 09, 2008
Funny ha ha ha...
The Festival is now in full swing (which probably explains why it's raining constantly) and I've added Tim Minchin and Amnesty International to sights seen. Minchin was excellent, laugh until a small bit of vomit comes into your mouth funny. He really is such a talented chap with not only being humorous but a highly skilled and adept musician if you get the chance to see him, take it. I've put a little clip of him below:
We also went to see The Amnesty International gig with Ed Byrne's, Rich Hall and Mark Watson who between them managed to wake me up via the art of laughter as the time nudged two in the morning.
Still plenty more to go which I'll report back on later next week.
****
Had an interesting conundrum in the editing of 'The Missing' this week in the use of language, particularly American English. It all stemmed from the spelling of the word 'tyre' which in the US is spelt 'tire'. In one part of the novel a character from the US of A talks about changing the tyre (or tire as it would be) with someone from the UK. They both refer to the rubber part of the car and by the end of the piece the UK character has changed nationality (don't ask, just read the book when it comes out and all will become clear). So the problem...do I use 'tyre', 'tire' or both depending on who is speaking or doesn't it matter and should I use the spelling for the language I'm writing in (UK English). The matter was too much for me and the editor and so was sent upwards to the chief editor and the results are....(drum roll)...use the UK spelling...phew!
****
Finished off the other two volumes of Miracleman as written by Alan Moore.
The second book entitled 'The Red King Syndrome,' though not liked by all is for me the best of the three as it shows the hero's ascent into the heavens as he realises that his powers make him a God among men. Humans become nothing to him as he can kill them with ease, imagine Superman with no moral compass. Also through his actions he brings about the creation of a creature even more powerful than himself.
Olympus, the third and final book has Miracleman reminiscing on his past and how the Earth was reshaped once he and several super heroes decide that they will rule the planet. It's a bitter sweet ending as the comic is seen only from Miracleman's point of view and though he knows he has brought justice and humility to the human race it was done via death, intimidation and knowledge that humanity is now firmly under the yoke.
The only problem I had with the final book is some of the language used my Moore during the dance sequences. It's good but just a little bit indulgent for my tastes.
****
Read this week:
Miracleman Book Two: The Red King Syndrome by Alan Moore et al
Miracleman Book Three: Olympus by Alan Moore and John Totleben
We also went to see The Amnesty International gig with Ed Byrne's, Rich Hall and Mark Watson who between them managed to wake me up via the art of laughter as the time nudged two in the morning.
Still plenty more to go which I'll report back on later next week.
****
Had an interesting conundrum in the editing of 'The Missing' this week in the use of language, particularly American English. It all stemmed from the spelling of the word 'tyre' which in the US is spelt 'tire'. In one part of the novel a character from the US of A talks about changing the tyre (or tire as it would be) with someone from the UK. They both refer to the rubber part of the car and by the end of the piece the UK character has changed nationality (don't ask, just read the book when it comes out and all will become clear). So the problem...do I use 'tyre', 'tire' or both depending on who is speaking or doesn't it matter and should I use the spelling for the language I'm writing in (UK English). The matter was too much for me and the editor and so was sent upwards to the chief editor and the results are....(drum roll)...use the UK spelling...phew!
****
Finished off the other two volumes of Miracleman as written by Alan Moore.
The second book entitled 'The Red King Syndrome,' though not liked by all is for me the best of the three as it shows the hero's ascent into the heavens as he realises that his powers make him a God among men. Humans become nothing to him as he can kill them with ease, imagine Superman with no moral compass. Also through his actions he brings about the creation of a creature even more powerful than himself.
Olympus, the third and final book has Miracleman reminiscing on his past and how the Earth was reshaped once he and several super heroes decide that they will rule the planet. It's a bitter sweet ending as the comic is seen only from Miracleman's point of view and though he knows he has brought justice and humility to the human race it was done via death, intimidation and knowledge that humanity is now firmly under the yoke.
The only problem I had with the final book is some of the language used my Moore during the dance sequences. It's good but just a little bit indulgent for my tastes.
****
Read this week:
Miracleman Book Two: The Red King Syndrome by Alan Moore et al
Miracleman Book Three: Olympus by Alan Moore and John Totleben
Sunday, August 03, 2008
"I Coulda Been a Contender...."
The festival had its official start on Friday evening (I wasn’t there but I sure heard the fireworks from the castle), and we got to see our first event on Saturday afternoon with a production of ‘On the Waterfront’. Adapted from the film starring Marlon Brando (which I thought I had seen but having watched the play realised I hadn’t) this is Steven Berkoff’s stage adaptation from my old stomping ground The Nottingham Playhouse.
A little disjointed at the beginning with dialogue that was meant to fizzle but fell flat, the play didn’t really get going until the second half. I’ll put this down to first night nerves and the fact both Berkoff and the writer Budd Schulberg (of more below) were in attendance. Once this was overcome and the actors settled into their roles the play picked up speed and moved along to a soaring conclusion. Simon Merrells who took the Brando part made the character his own, shying away from doing a Brando impersonation. There were some nice set pieces on a simple stage, culminating in a funny pigeon coop scene. One of the things that will stay in the memory long after the story has faded is the faces of the actors, Berkoff has put together a group with strong features that put me in mind of Dick Tracy villains, all flat noses and squinting eyes.
As I mentioned Budd Schulberg was in the audience and at the end of the play he was brought on stage by the cast. Now elderly (born 1914), he cut an intelligent and still very much aware figure. Having written such a prominent Hollywood movie as ‘On the Waterfront’ I had a quick google to find out more about him and discovered a man who has had a full and interesting life from meeting and working with F. Scott Fitzgerald, arresting the Nazi film maker Leni Riefanstahl to the dark days of the House of Un-American Activities Commission – a man who has truly been at the centre of US history.
****
I’ve been reading ‘Through a Glass, Darkly’ this week which is good but you’ll have to read my review in the next issue of Prism to get my full comments on this book.
Miracleman is where Alan Moore tried out some of his ideas for Watchmen. It came first but in some ways I prefer it as it deals with one character rather than several and though not as well known as the later work it shows Alan already playing with the superhero concept. The art work is a little poorly defined for my tastes and the lettering is very small (perhaps I need glasses) but the writing is terrific, it almost contains the depth of a novel.
****
There was series of films on BBC 4 last night all looking at the London Underground, its history and effect on modern life. Of particular interest was Arena: Underground which included footage of Margaret Barnett, who sheltered in the Tube during the bombing in the Second World War. Echoes of ‘DarkFather’ – I’ll say no more. You can see the programmes again on the rather good BBC iPlayer
Off to see the very funny Tim Minchin tonight.
****
Read this week:
Through a Glass, Darkly by Bill Hussey
Miracleman Book One: A Dream of Flying by Alan Moore, Garry Leach and Alan Davis
A little disjointed at the beginning with dialogue that was meant to fizzle but fell flat, the play didn’t really get going until the second half. I’ll put this down to first night nerves and the fact both Berkoff and the writer Budd Schulberg (of more below) were in attendance. Once this was overcome and the actors settled into their roles the play picked up speed and moved along to a soaring conclusion. Simon Merrells who took the Brando part made the character his own, shying away from doing a Brando impersonation. There were some nice set pieces on a simple stage, culminating in a funny pigeon coop scene. One of the things that will stay in the memory long after the story has faded is the faces of the actors, Berkoff has put together a group with strong features that put me in mind of Dick Tracy villains, all flat noses and squinting eyes.
As I mentioned Budd Schulberg was in the audience and at the end of the play he was brought on stage by the cast. Now elderly (born 1914), he cut an intelligent and still very much aware figure. Having written such a prominent Hollywood movie as ‘On the Waterfront’ I had a quick google to find out more about him and discovered a man who has had a full and interesting life from meeting and working with F. Scott Fitzgerald, arresting the Nazi film maker Leni Riefanstahl to the dark days of the House of Un-American Activities Commission – a man who has truly been at the centre of US history.
****
I’ve been reading ‘Through a Glass, Darkly’ this week which is good but you’ll have to read my review in the next issue of Prism to get my full comments on this book.
Miracleman is where Alan Moore tried out some of his ideas for Watchmen. It came first but in some ways I prefer it as it deals with one character rather than several and though not as well known as the later work it shows Alan already playing with the superhero concept. The art work is a little poorly defined for my tastes and the lettering is very small (perhaps I need glasses) but the writing is terrific, it almost contains the depth of a novel.
****
There was series of films on BBC 4 last night all looking at the London Underground, its history and effect on modern life. Of particular interest was Arena: Underground which included footage of Margaret Barnett, who sheltered in the Tube during the bombing in the Second World War. Echoes of ‘DarkFather’ – I’ll say no more. You can see the programmes again on the rather good BBC iPlayer
Off to see the very funny Tim Minchin tonight.
****
Read this week:
Through a Glass, Darkly by Bill Hussey
Miracleman Book One: A Dream of Flying by Alan Moore, Garry Leach and Alan Davis
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