There are many groups that have taken on the moniker of 'The Hellfire Club', both from Ireland and England. One of the earliest was that led by Philip, Duke of Wharton back in 1719, but the one I want to focus on is the group led by Sir Francis Dashwood through the 1750s.
In common misconception this group, called by Dashwood the ‘Brotherhood of St. Francis of Wycombe’, has been viewed as Satanists or else worshippers of some Pagan God, being all anti-Christian and evil. This is probably not the case, and instead the Hellfire Club was in truth more likely to be a meeting of like minded individuals who considered themselves (at the time) free thinkers.
Dashwood himself was a 18th Century toff, who having completed his grand tour of Europe returned to England full of the grandeur of the past and a love of art, literature and architecture. He gathered around him a group of like minded individuals including the Politician (and immensely fat) George Bubb Dodington, the artist and satirist William Hogarth, and the journalist John Wilkes (known as the ugliest man in Britain). Other people of prominence included politicians, poets and artists and might have included Benjamin Franklin.
It was at his estate Medmenham Abbey in Buckinghamshire that most of the meetings took place, at first in the Gothic Abbey with its updated decor including statues of Harpocrates, the Egyptian god of silence and Angerona, the Roman goddess of silence and other over the top Pagan imagery. Later on Dashwood moved the group to a series of man made tunnels that he had got local workers to carve for him during a failed harvest. These caves are what probably resulted in the talk that the group were involved in all sorts of daemonic orgies and blood worship. It was probably more likely that Dashwood was a bit of trickster and liked to be known as a man of mystery, when in truth they probably sat around, got exceptionally drunk and told each other rude or salacious jokes.
The club ended in 1762 when the Earl of Bute appointed Dashwood his Chancellor of the Exchequer, despite Dashwood being widely held to be incapable of understanding "a bar bill of five figures". It seems he now achieved some respectability and though his role only lasted a year (after he did indeed mess up) the group pretty much ended their meetings.
John Wilkes best described the group: 'A set of worthy, jolly fellows, happy disciples of Venus and Bacchus, got occasionally together to celebrate woman in wine and to give more zest to the festive meeting, they plucked every luxurious idea from the ancients and enriched their own modern pleasures with the tradition of classic luxury'.
****
G. P. Taylor used to be a vicar, if you haven’t looked that fact up you would have soon concluded something similar from Shadowmancer, as religion and the Christian faith plays a large part in its construction. Unfortunately, it plays too large a part and ends up distracting from what could have been a good dark fantasy.
Set in a slightly altered North Yorkshire, Taylor has mixed folklore and myth with sorcery, magic and pirating to tell the story of Thomas and his friends, the religious Raphah and the fiery Kate as they go up against the corrupt and sinister Obadiah Demurral (he does use some wonderful naming for his characters).
When a mysterious religious relic is obtained by Obadiah all of hell is literally released through the mans’ greed and incompetence, leading the children in a dangerous game as they attempt to escape fate. This is good story telling, a little let down by lack of editing (it was his first novel and was originally self published) but his constant harping on about what’s right and wrong and poorly concealed Christian undertones tend to undermine the story. I have read one of his later novels (see Mariah Mundi) where the religious aspect has been toned down, and that was much the better book for it.
A little book picked up because Mckean was the artist, The Savage is a simple and beautifully told story about a boy coming to terms with the loss of his father. Part graphic novel part story book, Blue works through the trauma of loss by writing his own story about a savage boy who lives in the woods, but as he writes the Savage takes on a life of his own.
Supported by Mckean’s great ink work, shaded in twilight blue and forest green, this little book is for anyone who wants to see how simple yet effective good writing can be. I would recommend this to adults and children alike.
Read this week:
Shadowmancer by G. P. Taylor
The Savage by David Almond
Sunday, November 30, 2008
Sunday, November 23, 2008
Post 100!!!
Having reached post 100, we're having a bit of a party, Blogger is currently mixing some vicious looking cocktails while I'm busy putting the finishing touches to the pineapple and cheese on sticks. I imagine it'll go on late into the night, with the 'Best of Black Lace' being played at full volume until the neighbours complain.
****
I'm in research mode at the moment. I have a trip planned to London for January so I need to start researching all the places I want to visit. I have a rough idea for the second book but now need to put several months of notes behind it. I'll be using this blog to record any ideas or interesting bits of information until I begin to write the book around February time.
****
I picked up Varjak Paw because the artist was Dave McKean. It's a simple story about a naive young cat who must overcome its embarrassment about being different if it to return to the house on the hill where it once lived in pampered luxury. To do this the Mesopotamian Blue must learn the Way of Jalal, a martial arts for cats, taught by its long dead ancestor and in the process learn there is more about life than free food.
It's a simple fable, beautifully told and of course illustrated in Mckean's simple black pen master strokes. It's the sort of book you read in an afternoon but the story stays with you for much longer.
****
Well, I've got to go now; Blogger has locked herself in the bathroom after trying it on with Google. It's going to be a long night...
Read this week:
Varjack Paw by SF Said.
****
I'm in research mode at the moment. I have a trip planned to London for January so I need to start researching all the places I want to visit. I have a rough idea for the second book but now need to put several months of notes behind it. I'll be using this blog to record any ideas or interesting bits of information until I begin to write the book around February time.
****
I picked up Varjak Paw because the artist was Dave McKean. It's a simple story about a naive young cat who must overcome its embarrassment about being different if it to return to the house on the hill where it once lived in pampered luxury. To do this the Mesopotamian Blue must learn the Way of Jalal, a martial arts for cats, taught by its long dead ancestor and in the process learn there is more about life than free food.
It's a simple fable, beautifully told and of course illustrated in Mckean's simple black pen master strokes. It's the sort of book you read in an afternoon but the story stays with you for much longer.
****
Well, I've got to go now; Blogger has locked herself in the bathroom after trying it on with Google. It's going to be a long night...
Read this week:
Varjack Paw by SF Said.
Monday, November 17, 2008
Seeing Everyone
Feels like I’ve been everywhere and seen everyone this weekend. After a boozy night in the pub last Thursday I, accompanied by Madame Vin, the Aussie and a Canadian, travelled early to Nottingham where I met up with Sammy (all the way from New Zealand) and Tash and my ‘woman of the year’ (back from LA – and doing very well. Hopefully, if she’ll let me, I’ll post some exciting news from her here soon). Then it was over to the hospital to visit my last surviving grandparent (who thankfully, looked better than I hoped) and finally to the old home of Radcliffe-on-Trent to the retirement party of the Silver Fox.
The next day it was more family, including a new arrival, before stepping out with friends, friends, friends and admittedly drinking too much.
Sunday was home, rest and Sunday dinner.
At least I got a lot of reading done.
****
The Graveyard Book
I'm not afraid to say it - I love Mr. Gaiman. He has the most beautiful style of writing, summing up an emotion, a feeling or a character in a simply yet eloquent fashion. The Graveyard book is one of his novels for children that can be read by adults (think Coraline). Based loosely on the Jungle Book in its construction, the story deals with Nobody Owens and his life growing up in a graveyard high on a hill in an English town (it reads like Lincoln but this might just be the reader putting his own experiences on top of the narrative).
Starting off as a baby and escaping from a dark shadowy figure who has just murdered his family Bod is taken in by dead people, who view their deaths as just an interesting event on life's highway and see it as no reason why it should interrupt their living.
Each chapter is spaced several years apart with Bod growing and learning about life and being a human via the ghosts, spirits, ghouls and more mythical creatures that inhabit his living space. The first few chapters could be read as short stories while the last four allow Bod to work out where he came from and where he's going. Magical!
Death: The High Cost of Living
Another Gaiman. Set in his Sandman mythos, every century Death must become mortal for 24 hours so that she can find out about life. This story is slight and amusing with the Goth personification of Death spending her day in New York with a young man who begins by contemplating the taking of his own life and ends by understanding its worth and magic. The comic has been under review for several years as a possible movie and within Sandman is probably the only possible filmable story arc.
Little (Grrl) Lost
It is such a shame that Charles De Lint is not better known in the UK. His stories are magical and human and deep and mythical all at the same time. He has created a world (Newford) where anything can happen (and usually does) but it always makes sense and seems perfectly logically. Rarely do I see his books on the shelves of Waterstones or the larger book stores and have to rely on independent shops and US imports.
T.J. is a teenager suffering from the anxiety of having moved from the country to a strange city, leaving her friends and her horse behind. She is suffering from the mental growing pains all teenagers go through and feels hard done by. She meets Elizabeth, an older girl who is spunky and cool and forthright but has her own problems being only eight inches high.
Elizabeth is a Small and she lives behind the skirting board. This is 'The Borrowers' for the modern age, mixing in texting, broken families, email, punk and motorbikes and coming up with something that is uniquely De Lint.
****
I read three other books but they are all reviews so you’ll have to read Dark Horizon’s for my low down.
I was out Friday night but a clip from the new Doctor Who was shown on the Beeb as part of Children in Need. You can see it again here.
Read this week:
The Graveyard Book by Neil Gaiman
Death: The High Cost of Living by Neil Gaiman
Little (Grrl) Lost by Charles De Lint
The next day it was more family, including a new arrival, before stepping out with friends, friends, friends and admittedly drinking too much.
Sunday was home, rest and Sunday dinner.
At least I got a lot of reading done.
****
The Graveyard Book
I'm not afraid to say it - I love Mr. Gaiman. He has the most beautiful style of writing, summing up an emotion, a feeling or a character in a simply yet eloquent fashion. The Graveyard book is one of his novels for children that can be read by adults (think Coraline). Based loosely on the Jungle Book in its construction, the story deals with Nobody Owens and his life growing up in a graveyard high on a hill in an English town (it reads like Lincoln but this might just be the reader putting his own experiences on top of the narrative).
Starting off as a baby and escaping from a dark shadowy figure who has just murdered his family Bod is taken in by dead people, who view their deaths as just an interesting event on life's highway and see it as no reason why it should interrupt their living.
Each chapter is spaced several years apart with Bod growing and learning about life and being a human via the ghosts, spirits, ghouls and more mythical creatures that inhabit his living space. The first few chapters could be read as short stories while the last four allow Bod to work out where he came from and where he's going. Magical!
Death: The High Cost of Living
Another Gaiman. Set in his Sandman mythos, every century Death must become mortal for 24 hours so that she can find out about life. This story is slight and amusing with the Goth personification of Death spending her day in New York with a young man who begins by contemplating the taking of his own life and ends by understanding its worth and magic. The comic has been under review for several years as a possible movie and within Sandman is probably the only possible filmable story arc.
Little (Grrl) Lost
It is such a shame that Charles De Lint is not better known in the UK. His stories are magical and human and deep and mythical all at the same time. He has created a world (Newford) where anything can happen (and usually does) but it always makes sense and seems perfectly logically. Rarely do I see his books on the shelves of Waterstones or the larger book stores and have to rely on independent shops and US imports.
T.J. is a teenager suffering from the anxiety of having moved from the country to a strange city, leaving her friends and her horse behind. She is suffering from the mental growing pains all teenagers go through and feels hard done by. She meets Elizabeth, an older girl who is spunky and cool and forthright but has her own problems being only eight inches high.
Elizabeth is a Small and she lives behind the skirting board. This is 'The Borrowers' for the modern age, mixing in texting, broken families, email, punk and motorbikes and coming up with something that is uniquely De Lint.
****
I read three other books but they are all reviews so you’ll have to read Dark Horizon’s for my low down.
I was out Friday night but a clip from the new Doctor Who was shown on the Beeb as part of Children in Need. You can see it again here.
Read this week:
The Graveyard Book by Neil Gaiman
Death: The High Cost of Living by Neil Gaiman
Little (Grrl) Lost by Charles De Lint
Thursday, October 30, 2008
Hanging around the graveyard
I've been fortunate enough to meet a few of my heroes (Woody Allen, Dave Mckean) and thankfully never had to suffer the shock that they were not the sort of people I would care to share a long train journey sitting next to. Tuesday night I added another name to that list. Neil Gaiman is well known for really pulling out all the stops when it comes to his fans, his legendary long signing sessions, his diligent updates to his blog and the fact he dedicated one of his books to them makes him a much admired writer. You'll be glad to know he did not disappoint.
The Church Hill Theatre seats over 600 people and it was full to bursting (Ian Rankin was in the audience). After a read through of Ch. 5 -Dance Macabre, delivered in Gaiman's softly spoken butter-dripping drawl he started the signing. I had Big Gary along and somehow managed to land myself at the front of the queue. He signed a few things for me and then I got to ask him the big question. He said yes and that he would be "honoured" - so, a Gaiman character will appear (as a name on a list) in the DarkFather. 
The Graveyard Book is one of Gaiman's works which can be read to children but work just as well for adults (like Coraline). I haven't read it yet but I've heard most of it as the Gaiman and his publishers have made every chapter available online. If you get the chance have a listen, you won't be disappointed.
The Church Hill Theatre seats over 600 people and it was full to bursting (Ian Rankin was in the audience). After a read through of Ch. 5 -Dance Macabre, delivered in Gaiman's softly spoken butter-dripping drawl he started the signing. I had Big Gary along and somehow managed to land myself at the front of the queue. He signed a few things for me and then I got to ask him the big question. He said yes and that he would be "honoured" - so, a Gaiman character will appear (as a name on a list) in the DarkFather.
The Graveyard Book is one of Gaiman's works which can be read to children but work just as well for adults (like Coraline). I haven't read it yet but I've heard most of it as the Gaiman and his publishers have made every chapter available online. If you get the chance have a listen, you won't be disappointed.****
I'm in London this weekend I just found out Terry Pratchett will be doing a signing at Forbidden Planet at roughly the same time I'm there. I should have got my copy of Good Omens signed by Neil and then by Terry - Damn!
****
Sad to hear that Dr Who has a planned regeneration coming up (at the end of 2009). Tennent has been excellent - gurning and grinning through the role but at the same time adding just the right hint of madness and darkness.
Saturday, October 25, 2008
Agent X
I’ve spent the last few days putting together a letter and synopsis for ‘DarkFather’ which is to be sent out to potential agents. This has become an art form in its own right and one that I deliberately take time and effort over. It is also a job I find almost soul destroying. All the effort you put into a novel, the creation, the honing, the rewrites, is boiled down to a one page synopsis, a letter and a couple of chapters. From this you have to hope that your work is considered good enough by whoever picks up that days mail.
To make matters worse every agent has slightly different criteria for how they want the work presented, how they want to be approached and how long you have to wait for any kind of response. The worst is the fact that you can only approach one agent at a time and as most of them have an eight week turn around that means you can only approach six agents a year (not taking into account holidays etc).
I work within the system but I’m sure there must be a better way of doing things that doesn’t open the agents up to huge amount of rubbish material being sent to them while at the same time allowing potential authors to showcase their work to more than one agent at a time.
****
The Kingsway tunnels are up for sale. Interesting article with pictures in The Independent.
****
Seeing Neil Gaiman on Tuesday. I will report back with pictures.
****
Apparently when I sign into Blogger this is post number 100, but when I count them on the side bar list I can only see 96 (this being number 97). I’ll wait for three more and then celebrate the 100 mark.
****
I’ve been working on several book reviews this week for the BFS so I can’t tell you what I’ve been reading, however I did manage to get a couple of comics in as well.
Batman: The Cult is a good read showing the Caped Crusader starting his adventure on the back foot having been captured by a strange mystic called Deacon Joseph Blackfire; either a charlatan or else a long living Native American mystic. Weakened from lack of food, constant beatings and through the use of drugs the Batman is brainwashed into joining the Deacon’s gang of homeless people as they violently take over the streets of Gotham. It starts off as a clever mediation on power and corruption but unfortunately does not take this all the way to end.
Dark Victory is the better of the two Batman comics. Here Batman relies on his detective skills as he searches for a mysterious calendar killer over a year. It’s set in the early days of his career, not long after Harvey Dent has become the mentally and physically scarred Two Face. All the bad guys are present along with a mafia family and corrupt police force.
In the introduction by Tim Sale (the excellent artist of this book) he states he doesn’t like the character of Robin and never wanted to do a comic book with him in. I fully understand, I’ve always thought of him as a silly character that does nothing for the series. Thankfully, the story does not bring him in until the end but still he manages to be annoying in the small section he does appears in.
Read this week:
Batman: Dark Victory by Joseph Loeb and Tim Sale
Batman: The Cult by Starlin, Wrightson and Wray
To make matters worse every agent has slightly different criteria for how they want the work presented, how they want to be approached and how long you have to wait for any kind of response. The worst is the fact that you can only approach one agent at a time and as most of them have an eight week turn around that means you can only approach six agents a year (not taking into account holidays etc).
I work within the system but I’m sure there must be a better way of doing things that doesn’t open the agents up to huge amount of rubbish material being sent to them while at the same time allowing potential authors to showcase their work to more than one agent at a time.
****
The Kingsway tunnels are up for sale. Interesting article with pictures in The Independent.
****
Seeing Neil Gaiman on Tuesday. I will report back with pictures.
****
Apparently when I sign into Blogger this is post number 100, but when I count them on the side bar list I can only see 96 (this being number 97). I’ll wait for three more and then celebrate the 100 mark.
****
I’ve been working on several book reviews this week for the BFS so I can’t tell you what I’ve been reading, however I did manage to get a couple of comics in as well.
Batman: The Cult is a good read showing the Caped Crusader starting his adventure on the back foot having been captured by a strange mystic called Deacon Joseph Blackfire; either a charlatan or else a long living Native American mystic. Weakened from lack of food, constant beatings and through the use of drugs the Batman is brainwashed into joining the Deacon’s gang of homeless people as they violently take over the streets of Gotham. It starts off as a clever mediation on power and corruption but unfortunately does not take this all the way to end.
Dark Victory is the better of the two Batman comics. Here Batman relies on his detective skills as he searches for a mysterious calendar killer over a year. It’s set in the early days of his career, not long after Harvey Dent has become the mentally and physically scarred Two Face. All the bad guys are present along with a mafia family and corrupt police force.
In the introduction by Tim Sale (the excellent artist of this book) he states he doesn’t like the character of Robin and never wanted to do a comic book with him in. I fully understand, I’ve always thought of him as a silly character that does nothing for the series. Thankfully, the story does not bring him in until the end but still he manages to be annoying in the small section he does appears in.
Read this week:
Batman: Dark Victory by Joseph Loeb and Tim Sale
Batman: The Cult by Starlin, Wrightson and Wray
Sunday, October 05, 2008
Review and be damned.
I’ve finished the penultimate edit of ‘The Missing’ for Maureen today. It’s been sent to her and we’ll have a talk tomorrow to discuss. After that and any small minor changes it will be sent off to the publishers and the long wait for galleys and art begins.
I’m reading a novel at the moment that requires a review but it’s pretty bad and I’m having trouble finishing it. I normally read everything, refusing to give up on a book until the very end in the hope that something will grab my attention, but with this one I’m struggling. I feel I should finish it, particularly if I’m to write a review, but find myself resenting the time it is taking up, time that I could spend reading one of the huge pile sat next to my desk that require attention. I know I’ll slog on and finish it but I fear the more time I spend with it the more I’ll hate it and the worst the review will be.
A lovely piece this month by John Connolly on the amount of books he buys in proportion to the amount he reads. I know exactly what he means. I keep saying I’m not going to buy anything new until I finish the thirty odd books I have waiting but still find myself walking into book shops and adding to the collection, then there are the free ones I’m sent and the books for review.
Just been to the cinema and seen a lovely film call The Station Agent. A great little picture, with perfect written characters, understated and minimal, with just the right emphasise on humour and pathos. Check it out.
I've just noticed that the next post will be number 100.
****
Pratchett’s new children’s book ‘Nation’, is a slow burn. He’s left the Disc World behind and created an alternative world dominated by the British Empire. It is seen through the eyes of two children, Daphne a girl shipwrecked on an island that has just suffered a tsunami and Mau, the remaining inhabitant of a once proud and ancient community.
The work takes a little while to get going but once it does Pratchett cleverly discusses ethnicity, religion, power, sex and death. It is powerful stuff, made light hearted in only the way that he can. It also has the best ending of a YA novel I’ve read in some time. It’s really moving and if you have a child I recommend reading it to them, if you don’t, read it yourself. Brilliant.
Read this week:
Nation by Terry Pratchett.
I’m reading a novel at the moment that requires a review but it’s pretty bad and I’m having trouble finishing it. I normally read everything, refusing to give up on a book until the very end in the hope that something will grab my attention, but with this one I’m struggling. I feel I should finish it, particularly if I’m to write a review, but find myself resenting the time it is taking up, time that I could spend reading one of the huge pile sat next to my desk that require attention. I know I’ll slog on and finish it but I fear the more time I spend with it the more I’ll hate it and the worst the review will be.
A lovely piece this month by John Connolly on the amount of books he buys in proportion to the amount he reads. I know exactly what he means. I keep saying I’m not going to buy anything new until I finish the thirty odd books I have waiting but still find myself walking into book shops and adding to the collection, then there are the free ones I’m sent and the books for review.
Just been to the cinema and seen a lovely film call The Station Agent. A great little picture, with perfect written characters, understated and minimal, with just the right emphasise on humour and pathos. Check it out.
I've just noticed that the next post will be number 100.
****
Pratchett’s new children’s book ‘Nation’, is a slow burn. He’s left the Disc World behind and created an alternative world dominated by the British Empire. It is seen through the eyes of two children, Daphne a girl shipwrecked on an island that has just suffered a tsunami and Mau, the remaining inhabitant of a once proud and ancient community.
The work takes a little while to get going but once it does Pratchett cleverly discusses ethnicity, religion, power, sex and death. It is powerful stuff, made light hearted in only the way that he can. It also has the best ending of a YA novel I’ve read in some time. It’s really moving and if you have a child I recommend reading it to them, if you don’t, read it yourself. Brilliant.
Read this week:
Nation by Terry Pratchett.
Saturday, September 27, 2008
The convention
I’m back from my jaunt having spent time down in Nottingham at the BFS’s FantasyCon and a few days away recharging the batteries and working on the outline for a short comic.
This was the first FantasyCon I have ever been to and it was…interesting. It was not quite what I had in mind when I thought about going earlier in the year, certainly less instructive and slightly more amateurish than I was expecting, plus the venue needs a rethink (and if at all possible, pulling down). Dave McKean was guest of honour (and highlight) and along with Vincent Chong provided some interesting insights into art, comics and getting published. He also signed a copy of his book of sketches for me including a drawing of an elf/goblin/alien creature. Simon Guerrier, frequent blogger and Dr Who author was eloquent but I failed to introduce myself, whilst Simon R. Green seemed to be nuttier than a fruitcake.
This was the first FantasyCon I have ever been to and it was…interesting. It was not quite what I had in mind when I thought about going earlier in the year, certainly less instructive and slightly more amateurish than I was expecting, plus the venue needs a rethink (and if at all possible, pulling down). Dave McKean was guest of honour (and highlight) and along with Vincent Chong provided some interesting insights into art, comics and getting published. He also signed a copy of his book of sketches for me including a drawing of an elf/goblin/alien creature. Simon Guerrier, frequent blogger and Dr Who author was eloquent but I failed to introduce myself, whilst Simon R. Green seemed to be nuttier than a fruitcake.
I’ve spent the rest of the week in the small town of Kirkcudbright on the west coast of Scotland. The weather was wonderful, the company good and the wine plentiful. When I could I wrote in the silence of a cottage only interrupted by the rooks that would gather in the tall trees to caw at one another. I also did plenty of reading.
Pork Pie Hat is a small book I must have picked up in a second hand shop and had on my shelf for some time. It is very well written with Straub picking up the nuances of a Jazz musician at the end of his life reminiscing about what happened to him as a child that seriously effected who he was to become. It’s a haunting story very well rendered.Carey’s second novel in the Felix Castor series adds to the ‘other’ London he has created. It still has echoes of Constantine but it feels as if Castor is becoming his own man. The city is real and grimy and the story line full of interesting plots twists. Old characters return keeping the series whole whilst the book finishes with enough change in Castor’s circumstances to make the next book eagerly anticipated.
I remember the Triffids TV show which was produced in 1981. I’m not sure if I saw a repeat or not as I would only have been six on its first airing and I’m sure I would not have been allowed to stay up that late, or else gone to bed with nightmares. Before I read the book all I could recall were several jumper wearing hippies living on a farm being surrounded by the Triffids. This I thought was foolish and not very scary as the plants could only shuffle on small legs and must have been as limited as the original Daleks as any grown individual could have easily out run them. Of course I had forgotten that many of the survivors had already been blinded by falling green meteorites and that society had broken down to such a degree that the world had been returned to pre-industrial society.
The book is timely and seems not to have dated too much considering it was published in 1951. It pick up on other well known sci-fi stories (notably H. G. Wells’ The War of the Worlds) but makes something particularly British in its depiction of the end of the world.
I’m working on a script at the moment as well as answering questions from my publishers. With the re-write of ‘The DarkFather’ starting as well I imagine I should be busy for the next couple of months.
Read this week:
The Day of the Triffids by John Wyndham
Vicious Circle by Mike Carey
Pork Pie Hat by Peter Straub
Thursday, September 11, 2008
Odd, we’re still all here…
Having done no lasting damage to my body, I am glad to say that last weeks venture up into the hills passed without hic-cup. It was muddy, wet and cold and we didn’t do it a particularly amazing time (an asthmatic in a bath chair passed us at one point) but we completed all 60km. A big thank you to all the people who sponsored me to the tune of £430. A figure which will be doubled by the bank and shared out amongst the charities.
I’ve added a particularly flattering photo of me in stretch lycra below. If you are easily offended or have a weak stomach, look away now.
Now all that unpleasantness is over we can get back to normal. Still working my way through ‘DarkFather’, and have been told that ‘The Missing’ won’t be back in my hands for another week, which is fine by me as I have plenty on my plate at the moment.
I’m starting work on what will hopefully be my first foray into comics, working with the artist, friend and film ‘know it all’, Looming Gary. We don’t plan to try and sell the work as its more a tryout to see if we work well together, but we might get it put up here once completed. It is early days, but I have an idea that might get worked up into something…watch this space.
As we’re not all dead I can get you all to zoom over to BBC and listen to the Torchwood adventure set at CERN. It’s underground and I assume fills in a bit of missing detail between the end of series 2 and the anticipated new series. Capt. Jack is becoming a darker and more troubled character (at last) which helps this episode very well.
Talking (writing actually) about TV, looks like Dean makes it out of hell in the new series of Supernatural, the first clips of which have made it on to the net (ignore the advert):
Working my way through the second Felix Castor novel which I will discuss here soon, plus I’m now counting down the days until I go to Fantasycon. If you’re going, drop me a line and we’ll meet for a beer.
I’ve added a particularly flattering photo of me in stretch lycra below. If you are easily offended or have a weak stomach, look away now.
Now all that unpleasantness is over we can get back to normal. Still working my way through ‘DarkFather’, and have been told that ‘The Missing’ won’t be back in my hands for another week, which is fine by me as I have plenty on my plate at the moment.
I’m starting work on what will hopefully be my first foray into comics, working with the artist, friend and film ‘know it all’, Looming Gary. We don’t plan to try and sell the work as its more a tryout to see if we work well together, but we might get it put up here once completed. It is early days, but I have an idea that might get worked up into something…watch this space.
As we’re not all dead I can get you all to zoom over to BBC and listen to the Torchwood adventure set at CERN. It’s underground and I assume fills in a bit of missing detail between the end of series 2 and the anticipated new series. Capt. Jack is becoming a darker and more troubled character (at last) which helps this episode very well.
Talking (writing actually) about TV, looks like Dean makes it out of hell in the new series of Supernatural, the first clips of which have made it on to the net (ignore the advert):
Working my way through the second Felix Castor novel which I will discuss here soon, plus I’m now counting down the days until I go to Fantasycon. If you’re going, drop me a line and we’ll meet for a beer.
Thursday, September 04, 2008
Going up the mountains
I’m working through ‘DarkFather’ in the two weeks respite I get from the editing of ‘The Missing’. I’m tidying up the story in places and increasing the presence of characters who I think need a little more room to breath. I also want to make the start a little bit punchier.
I’m off to Aviemore this weekend, cycling over mountains raising money for three charities. So far I’ve raised over £400 with all funding matched by the organisers. I imagine it will be hard going as it’s rained constantly throughout August and the weekend forecast does not look much better. I’ll put up some picture next week of me all exhausted and muddy.
Got my tickets through today for a writer event I’ve been waiting some time for. Mr Neil Gaiman is coming to Scotland, and what’s more he’s coming to the book shop just up the road from me. I’m looking forward to his new work as it’s YA and will be an interesting read in line with my own work.
****
The Fourth Bear is Jasper Fford’s latest in the Nursery Crime Division works. As always with Fford (that is his real name by the way) the laughs come hard, fast and often with allusions to other works of literature, music or film. You could spend forever and a day trying to keep up with the wry nods but instead you should enjoy the books for their quirky humour. He is one of the best writers around today for laugh out loud prose.
I was fortunate enough to meet him this summer and you can tell there is a keen mind behind these works, one that enjoys puzzles and word play. I asked him if anyone had ever considered turning the works into comics as they are rich in nursery rhyme characters and he said that many had but nothing had ever happened. If there’s any budding comic book authors reading this, get on to it now.
Rex Mundi is a comic book that started life before Da Vinci Code which is interesting because they contain similar themes. Unlike the Dan Brown book Rex Mundi is set in a world where the American Civil War has ended in stalemate and the Catholic Church controls most of Europe, also sorcery is a real problem.
The story is a little sparse in places, but the artwork by EricJ is lush and precise, turning Paris into a dark mediaeval / 30s inspired city. There are also some good scenes under Paris, travelling along the vast sewers that mimic the street layout above so accurately that they share the same names (true), plus mention of catacombs being found containing the bodies of prior inhabitants (also true). Well worth a read and I’m sure I’ll get book 2.
****
Read this week:
The Fourth Bear by Jasper Fford
Rex Mundi: The Guardian of the Temple by Arvid Nelson et al.
I’m off to Aviemore this weekend, cycling over mountains raising money for three charities. So far I’ve raised over £400 with all funding matched by the organisers. I imagine it will be hard going as it’s rained constantly throughout August and the weekend forecast does not look much better. I’ll put up some picture next week of me all exhausted and muddy.
Got my tickets through today for a writer event I’ve been waiting some time for. Mr Neil Gaiman is coming to Scotland, and what’s more he’s coming to the book shop just up the road from me. I’m looking forward to his new work as it’s YA and will be an interesting read in line with my own work.
****
The Fourth Bear is Jasper Fford’s latest in the Nursery Crime Division works. As always with Fford (that is his real name by the way) the laughs come hard, fast and often with allusions to other works of literature, music or film. You could spend forever and a day trying to keep up with the wry nods but instead you should enjoy the books for their quirky humour. He is one of the best writers around today for laugh out loud prose.
I was fortunate enough to meet him this summer and you can tell there is a keen mind behind these works, one that enjoys puzzles and word play. I asked him if anyone had ever considered turning the works into comics as they are rich in nursery rhyme characters and he said that many had but nothing had ever happened. If there’s any budding comic book authors reading this, get on to it now.
Rex Mundi is a comic book that started life before Da Vinci Code which is interesting because they contain similar themes. Unlike the Dan Brown book Rex Mundi is set in a world where the American Civil War has ended in stalemate and the Catholic Church controls most of Europe, also sorcery is a real problem.
The story is a little sparse in places, but the artwork by EricJ is lush and precise, turning Paris into a dark mediaeval / 30s inspired city. There are also some good scenes under Paris, travelling along the vast sewers that mimic the street layout above so accurately that they share the same names (true), plus mention of catacombs being found containing the bodies of prior inhabitants (also true). Well worth a read and I’m sure I’ll get book 2.
****
Read this week:
The Fourth Bear by Jasper Fford
Rex Mundi: The Guardian of the Temple by Arvid Nelson et al.
Sunday, August 24, 2008
Underground Film
Just a quick update to mention Hellboy II and its great subterranean scenes. Very clever use of the Trolls living and trading under Brooklyn Bridge, ancient Ireland's fairy worlds, and Elves hiding out in the New York metro system. The film is lush and clever with some great creatures created by Del Toro.
Watching the Authors
Down to the last chapter of 'The Missing'. I've had my sweep through and a made a few subtle changes. I'll have a call with Maureen later this week, make further changes before printing the entire novel off and reading it as a reader. I want to try and put myself in the position of someone picking the book up off the shelf for the first time and reading it for enjoyment. At the same time it will be read by the chief editor at Libros where further changes can be made.
****
The book festival is now up and running and I was able to see Jasper Fforde read from his new work which is set in a world where colour is a key indicator to your position in life and society. Like all Fforde books the concept sounds alien and completely off kilter but no doubt he'll pull off something unique and funny and tight. If you have never read any of his books pick one up, he's as funny as Pratchett and as clever as Adams. Well worth reading.
Also got to see John Connolly, who was amusing and seemed more at ease speaking to large crowds than when I saw him two years ago. He speaks and reads so fast that he can fit into half an hour what most authors drivel on about for at least two. He read from a work in progress which is a new Charlie Parker novel out next year called 'The Lovers'. It's sound like the supernatural elements have been upped in the new book, which is good because it was something I missed in the last.
I'm off to see Alan Campbell tomorrow which I'm looking forward to.
Outside of the Book festival we saw Jimmy Carr, who was quick and clever and funny and immensely rude in all of the right places.
****
Finished 'The Secret History of Moscow', which is a subterranean fiction work set in Russia where creatures of fable, old Gods and characters from history exist below Moscow. Its from the point of view of Galina who's younger sister turns into a jackdaw and flies away whilst giving birth. Trying to track her sister down she meets with several strange individuals all who suffer from the dislocation of living in modern Russia in a big city that is crime and prejudice ridden.
The book has very much of a Russian feel to it, reading like Tolstoy (thankfully not as long) with plenty of wit. The subterranean world does not feel as fleshed at as the city above but Ekaterina Sedia has an inventive and playful mind and is able to pull on the history of her country and its myths.
'Nevada' is strange and funny and shocking and clever all at the same time. I only heard of Steve Gerber just after he died earlier this year when I discovered he was the creator of Howard the Duck, a character I remember from a film which involved aliens, comedy and inter species love (not something that seemed strange when I was about 10 years old).
This comic book was realised back in 1999 and I picked it up via the excellent book swapping site 'Read it, Swap it', based on Gerber's name. It revolves around an exotic dancer in Las Vegas, her pet ostrich Bolero, time and dimension travel, daemons and cosmic answers. It's a great read and worth picking up, I'll definitely be searching out more of Gerber's work on the back of it.
'Ocean' by Warren Ellis is a straight forward action comic set in space where coffins from an alien race have been discovered in the ice below Europa. It's about corporate greed and the inherent violence of the human species. Great art work by Chris Sprouse and Karl Story.
My final read this week is 'The Vinyl Underground - Watching the Detectives' which is a spin on Hellblazer but with a modern cool edge. It's good and I think it could grow into something very good but at the moment it doesn't have the skill or self awareness of Hellblazer.
****
Read this week:
The Secret History of Moscow by Ekaterina Sedia
The Vinyl Underground - Watching the Detectives by Si Spencer
Ocean by Warren Ellis
Nevada by Steve Gerber
****
The book festival is now up and running and I was able to see Jasper Fforde read from his new work which is set in a world where colour is a key indicator to your position in life and society. Like all Fforde books the concept sounds alien and completely off kilter but no doubt he'll pull off something unique and funny and tight. If you have never read any of his books pick one up, he's as funny as Pratchett and as clever as Adams. Well worth reading.
Also got to see John Connolly, who was amusing and seemed more at ease speaking to large crowds than when I saw him two years ago. He speaks and reads so fast that he can fit into half an hour what most authors drivel on about for at least two. He read from a work in progress which is a new Charlie Parker novel out next year called 'The Lovers'. It's sound like the supernatural elements have been upped in the new book, which is good because it was something I missed in the last.
I'm off to see Alan Campbell tomorrow which I'm looking forward to.
Outside of the Book festival we saw Jimmy Carr, who was quick and clever and funny and immensely rude in all of the right places.
****
Finished 'The Secret History of Moscow', which is a subterranean fiction work set in Russia where creatures of fable, old Gods and characters from history exist below Moscow. Its from the point of view of Galina who's younger sister turns into a jackdaw and flies away whilst giving birth. Trying to track her sister down she meets with several strange individuals all who suffer from the dislocation of living in modern Russia in a big city that is crime and prejudice ridden.
The book has very much of a Russian feel to it, reading like Tolstoy (thankfully not as long) with plenty of wit. The subterranean world does not feel as fleshed at as the city above but Ekaterina Sedia has an inventive and playful mind and is able to pull on the history of her country and its myths.
'Nevada' is strange and funny and shocking and clever all at the same time. I only heard of Steve Gerber just after he died earlier this year when I discovered he was the creator of Howard the Duck, a character I remember from a film which involved aliens, comedy and inter species love (not something that seemed strange when I was about 10 years old).
This comic book was realised back in 1999 and I picked it up via the excellent book swapping site 'Read it, Swap it', based on Gerber's name. It revolves around an exotic dancer in Las Vegas, her pet ostrich Bolero, time and dimension travel, daemons and cosmic answers. It's a great read and worth picking up, I'll definitely be searching out more of Gerber's work on the back of it.
'Ocean' by Warren Ellis is a straight forward action comic set in space where coffins from an alien race have been discovered in the ice below Europa. It's about corporate greed and the inherent violence of the human species. Great art work by Chris Sprouse and Karl Story.
My final read this week is 'The Vinyl Underground - Watching the Detectives' which is a spin on Hellblazer but with a modern cool edge. It's good and I think it could grow into something very good but at the moment it doesn't have the skill or self awareness of Hellblazer.
****
Read this week:
The Secret History of Moscow by Ekaterina Sedia
The Vinyl Underground - Watching the Detectives by Si Spencer
Ocean by Warren Ellis
Nevada by Steve Gerber
Sunday, August 17, 2008
The Hordes Descend
Just a quick post as I've much to do in the arena of getting everything done and dusted before Big Bad Trev arrives tomorrow for a couple of days followed hotly on his heels by The Mater. Festival time seems to be visiting time for family and friends - I can't imagine why!
Saw Bill Bailey on Thursday and he was okay. Nothing amazing, sometimes funny but nothing that made me feel like I was about to regurgitate my ribs (unlike the woman behind me who sounded as if she had brought up all of her internal organs). I guess comics have good days and bad days like anyone else and it kind of felt as if Bailey wanted to be elsewhere.
****
Finished Ch7. of the edit of 'The Missing', so only one more to go. After that I'll have one more read through before the whole lot gets sent off to the Chief Editor of the publishing house.
Saw Bill Bailey on Thursday and he was okay. Nothing amazing, sometimes funny but nothing that made me feel like I was about to regurgitate my ribs (unlike the woman behind me who sounded as if she had brought up all of her internal organs). I guess comics have good days and bad days like anyone else and it kind of felt as if Bailey wanted to be elsewhere.
****
Finished Ch7. of the edit of 'The Missing', so only one more to go. After that I'll have one more read through before the whole lot gets sent off to the Chief Editor of the publishing house.
Saturday, August 09, 2008
Funny ha ha ha...
The Festival is now in full swing (which probably explains why it's raining constantly) and I've added Tim Minchin and Amnesty International to sights seen. Minchin was excellent, laugh until a small bit of vomit comes into your mouth funny. He really is such a talented chap with not only being humorous but a highly skilled and adept musician if you get the chance to see him, take it. I've put a little clip of him below:
We also went to see The Amnesty International gig with Ed Byrne's, Rich Hall and Mark Watson who between them managed to wake me up via the art of laughter as the time nudged two in the morning.
Still plenty more to go which I'll report back on later next week.
****
Had an interesting conundrum in the editing of 'The Missing' this week in the use of language, particularly American English. It all stemmed from the spelling of the word 'tyre' which in the US is spelt 'tire'. In one part of the novel a character from the US of A talks about changing the tyre (or tire as it would be) with someone from the UK. They both refer to the rubber part of the car and by the end of the piece the UK character has changed nationality (don't ask, just read the book when it comes out and all will become clear). So the problem...do I use 'tyre', 'tire' or both depending on who is speaking or doesn't it matter and should I use the spelling for the language I'm writing in (UK English). The matter was too much for me and the editor and so was sent upwards to the chief editor and the results are....(drum roll)...use the UK spelling...phew!
****
Finished off the other two volumes of Miracleman as written by Alan Moore.
The second book entitled 'The Red King Syndrome,' though not liked by all is for me the best of the three as it shows the hero's ascent into the heavens as he realises that his powers make him a God among men. Humans become nothing to him as he can kill them with ease, imagine Superman with no moral compass. Also through his actions he brings about the creation of a creature even more powerful than himself.
Olympus, the third and final book has Miracleman reminiscing on his past and how the Earth was reshaped once he and several super heroes decide that they will rule the planet. It's a bitter sweet ending as the comic is seen only from Miracleman's point of view and though he knows he has brought justice and humility to the human race it was done via death, intimidation and knowledge that humanity is now firmly under the yoke.
The only problem I had with the final book is some of the language used my Moore during the dance sequences. It's good but just a little bit indulgent for my tastes.
****
Read this week:
Miracleman Book Two: The Red King Syndrome by Alan Moore et al
Miracleman Book Three: Olympus by Alan Moore and John Totleben
We also went to see The Amnesty International gig with Ed Byrne's, Rich Hall and Mark Watson who between them managed to wake me up via the art of laughter as the time nudged two in the morning.
Still plenty more to go which I'll report back on later next week.
****
Had an interesting conundrum in the editing of 'The Missing' this week in the use of language, particularly American English. It all stemmed from the spelling of the word 'tyre' which in the US is spelt 'tire'. In one part of the novel a character from the US of A talks about changing the tyre (or tire as it would be) with someone from the UK. They both refer to the rubber part of the car and by the end of the piece the UK character has changed nationality (don't ask, just read the book when it comes out and all will become clear). So the problem...do I use 'tyre', 'tire' or both depending on who is speaking or doesn't it matter and should I use the spelling for the language I'm writing in (UK English). The matter was too much for me and the editor and so was sent upwards to the chief editor and the results are....(drum roll)...use the UK spelling...phew!
****
Finished off the other two volumes of Miracleman as written by Alan Moore.
The second book entitled 'The Red King Syndrome,' though not liked by all is for me the best of the three as it shows the hero's ascent into the heavens as he realises that his powers make him a God among men. Humans become nothing to him as he can kill them with ease, imagine Superman with no moral compass. Also through his actions he brings about the creation of a creature even more powerful than himself.
Olympus, the third and final book has Miracleman reminiscing on his past and how the Earth was reshaped once he and several super heroes decide that they will rule the planet. It's a bitter sweet ending as the comic is seen only from Miracleman's point of view and though he knows he has brought justice and humility to the human race it was done via death, intimidation and knowledge that humanity is now firmly under the yoke.
The only problem I had with the final book is some of the language used my Moore during the dance sequences. It's good but just a little bit indulgent for my tastes.
****
Read this week:
Miracleman Book Two: The Red King Syndrome by Alan Moore et al
Miracleman Book Three: Olympus by Alan Moore and John Totleben
Sunday, August 03, 2008
"I Coulda Been a Contender...."
The festival had its official start on Friday evening (I wasn’t there but I sure heard the fireworks from the castle), and we got to see our first event on Saturday afternoon with a production of ‘On the Waterfront’. Adapted from the film starring Marlon Brando (which I thought I had seen but having watched the play realised I hadn’t) this is Steven Berkoff’s stage adaptation from my old stomping ground The Nottingham Playhouse.
A little disjointed at the beginning with dialogue that was meant to fizzle but fell flat, the play didn’t really get going until the second half. I’ll put this down to first night nerves and the fact both Berkoff and the writer Budd Schulberg (of more below) were in attendance. Once this was overcome and the actors settled into their roles the play picked up speed and moved along to a soaring conclusion. Simon Merrells who took the Brando part made the character his own, shying away from doing a Brando impersonation. There were some nice set pieces on a simple stage, culminating in a funny pigeon coop scene. One of the things that will stay in the memory long after the story has faded is the faces of the actors, Berkoff has put together a group with strong features that put me in mind of Dick Tracy villains, all flat noses and squinting eyes.
As I mentioned Budd Schulberg was in the audience and at the end of the play he was brought on stage by the cast. Now elderly (born 1914), he cut an intelligent and still very much aware figure. Having written such a prominent Hollywood movie as ‘On the Waterfront’ I had a quick google to find out more about him and discovered a man who has had a full and interesting life from meeting and working with F. Scott Fitzgerald, arresting the Nazi film maker Leni Riefanstahl to the dark days of the House of Un-American Activities Commission – a man who has truly been at the centre of US history.
****
I’ve been reading ‘Through a Glass, Darkly’ this week which is good but you’ll have to read my review in the next issue of Prism to get my full comments on this book.
Miracleman is where Alan Moore tried out some of his ideas for Watchmen. It came first but in some ways I prefer it as it deals with one character rather than several and though not as well known as the later work it shows Alan already playing with the superhero concept. The art work is a little poorly defined for my tastes and the lettering is very small (perhaps I need glasses) but the writing is terrific, it almost contains the depth of a novel.
****
There was series of films on BBC 4 last night all looking at the London Underground, its history and effect on modern life. Of particular interest was Arena: Underground which included footage of Margaret Barnett, who sheltered in the Tube during the bombing in the Second World War. Echoes of ‘DarkFather’ – I’ll say no more. You can see the programmes again on the rather good BBC iPlayer
Off to see the very funny Tim Minchin tonight.
****
Read this week:
Through a Glass, Darkly by Bill Hussey
Miracleman Book One: A Dream of Flying by Alan Moore, Garry Leach and Alan Davis
A little disjointed at the beginning with dialogue that was meant to fizzle but fell flat, the play didn’t really get going until the second half. I’ll put this down to first night nerves and the fact both Berkoff and the writer Budd Schulberg (of more below) were in attendance. Once this was overcome and the actors settled into their roles the play picked up speed and moved along to a soaring conclusion. Simon Merrells who took the Brando part made the character his own, shying away from doing a Brando impersonation. There were some nice set pieces on a simple stage, culminating in a funny pigeon coop scene. One of the things that will stay in the memory long after the story has faded is the faces of the actors, Berkoff has put together a group with strong features that put me in mind of Dick Tracy villains, all flat noses and squinting eyes.
As I mentioned Budd Schulberg was in the audience and at the end of the play he was brought on stage by the cast. Now elderly (born 1914), he cut an intelligent and still very much aware figure. Having written such a prominent Hollywood movie as ‘On the Waterfront’ I had a quick google to find out more about him and discovered a man who has had a full and interesting life from meeting and working with F. Scott Fitzgerald, arresting the Nazi film maker Leni Riefanstahl to the dark days of the House of Un-American Activities Commission – a man who has truly been at the centre of US history.
****
I’ve been reading ‘Through a Glass, Darkly’ this week which is good but you’ll have to read my review in the next issue of Prism to get my full comments on this book.
Miracleman is where Alan Moore tried out some of his ideas for Watchmen. It came first but in some ways I prefer it as it deals with one character rather than several and though not as well known as the later work it shows Alan already playing with the superhero concept. The art work is a little poorly defined for my tastes and the lettering is very small (perhaps I need glasses) but the writing is terrific, it almost contains the depth of a novel.
****
There was series of films on BBC 4 last night all looking at the London Underground, its history and effect on modern life. Of particular interest was Arena: Underground which included footage of Margaret Barnett, who sheltered in the Tube during the bombing in the Second World War. Echoes of ‘DarkFather’ – I’ll say no more. You can see the programmes again on the rather good BBC iPlayer
Off to see the very funny Tim Minchin tonight.
****
Read this week:
Through a Glass, Darkly by Bill Hussey
Miracleman Book One: A Dream of Flying by Alan Moore, Garry Leach and Alan Davis
Sunday, July 27, 2008
Gotham Night
Well they did it. It took several attempts but they have finally made a Batman film that fully incorporates the depth of the characters, the history of the comic books and the madness of Gotham City. The Dark Knight is truly a remarkable film, keeping its high octane thrills but lacing it with a well written script, a depth not often found in Hollywood and some excellent acting.
SPOILER ALERT – IF YOU HAVEN’T YET SEEN THE FILM, LOOK AWAY NOW.
I was nervous when I went to see the movie, concerned that the hype would set me up for a fall, but I was wrong. Jonathon and Christopher Nolan wrote the script and they obviously know and respect the character, from the true representation of the Joker’s madness to simple things like Batman’s white soulless eyes so often portrayed in the comic books. It is cool and clever and sets the Batman up as a true anti-hero, forever on the outskirts, wanted by both the criminal fraternity and the law.
Much praise has been heaped on Heath Ledger’s Joker and it is a magnificent performance, but one I don’t think would have been possible without the rest of the cast. His nervous ticks and constant wiggling tongue show a Joker sent mad by a society on which he returns to prey. And most important of all they don’t kill him off like some baddy of the week. Jack Nicholson did a great job of the Joker in the Tim Burton film but they made the mistake of killing him. You just can’t do that as the Batman and the deranged clown are the two sides of the same coin (an allusion to Two Face); the whole mythos runs off this duality and without one you cannot have the other.
****
Just finished Hard Boiled by Frank Miller. It’s good, predictable but good. To be honest the script is very short and you can easily read it in one sitting, what slows you down is the art work by Geof Darrow which is intricate and visually complex. It’s like a ‘Where’s Wally’ for adults, as he makes use of several full page drawings that have to be examined in minute detail. The images are arresting and perverse (he seems to enjoy drawing anatomically precise genitalia on both humans and androids).
****
I’ve been over to South Queensferry for the weekend which is a lovely little place on the outskirts of Edinburgh under the dominating presence of two bridges. The Forth Rail Bridge which is over a hundred years old and still functioning and the road bridge which is considerably younger and ready to be retired. I’m putting together some notes on the bridge which I hope will become a novella; I’ll put these up here when I’ve written them.
Also I would like to mention that the hard working Mr. Hunt has set up a new social networking sight at http://www.sfcrowsnest.com/hivemind/home.php . I notice several names from other sites so plan to spend some time nosing around it and taking some time to engage in considered and engaging debates.
Read this week:
Hard Boiled by Frank Miller and Geof Darrow
SPOILER ALERT – IF YOU HAVEN’T YET SEEN THE FILM, LOOK AWAY NOW.
I was nervous when I went to see the movie, concerned that the hype would set me up for a fall, but I was wrong. Jonathon and Christopher Nolan wrote the script and they obviously know and respect the character, from the true representation of the Joker’s madness to simple things like Batman’s white soulless eyes so often portrayed in the comic books. It is cool and clever and sets the Batman up as a true anti-hero, forever on the outskirts, wanted by both the criminal fraternity and the law.
Much praise has been heaped on Heath Ledger’s Joker and it is a magnificent performance, but one I don’t think would have been possible without the rest of the cast. His nervous ticks and constant wiggling tongue show a Joker sent mad by a society on which he returns to prey. And most important of all they don’t kill him off like some baddy of the week. Jack Nicholson did a great job of the Joker in the Tim Burton film but they made the mistake of killing him. You just can’t do that as the Batman and the deranged clown are the two sides of the same coin (an allusion to Two Face); the whole mythos runs off this duality and without one you cannot have the other.
****
Just finished Hard Boiled by Frank Miller. It’s good, predictable but good. To be honest the script is very short and you can easily read it in one sitting, what slows you down is the art work by Geof Darrow which is intricate and visually complex. It’s like a ‘Where’s Wally’ for adults, as he makes use of several full page drawings that have to be examined in minute detail. The images are arresting and perverse (he seems to enjoy drawing anatomically precise genitalia on both humans and androids).
****
I’ve been over to South Queensferry for the weekend which is a lovely little place on the outskirts of Edinburgh under the dominating presence of two bridges. The Forth Rail Bridge which is over a hundred years old and still functioning and the road bridge which is considerably younger and ready to be retired. I’m putting together some notes on the bridge which I hope will become a novella; I’ll put these up here when I’ve written them.
Also I would like to mention that the hard working Mr. Hunt has set up a new social networking sight at http://www.sfcrowsnest.com/hivemind/home.php . I notice several names from other sites so plan to spend some time nosing around it and taking some time to engage in considered and engaging debates.
Read this week:
Hard Boiled by Frank Miller and Geof Darrow
Wednesday, July 23, 2008
More Underground Links
Just a load of links for underground exploration:
http://www.ianvisits.co.uk/blog/2008_02_20/more-hidden-tunnels-under-london/
http://video.msn.com/video.aspx?mkt=en-us&vid=393bf2bd-4fce-4714-8ba7-c18a2e46723e&fg=rss&from=34
http://www.nyclondon.com/blog/archives/2004/09/19/churchills_secret_underground_bunker_paddock.blog
http://www.guardian.co.uk/environment/2005/mar/30/pollution.g2
http://bldgblog.blogspot.com/2005/11/london-topological.html
http://siologen.net/pbase/thumbnails.php?album=9
http://www.ianvisits.co.uk/blog/2008_02_20/more-hidden-tunnels-under-london/
http://video.msn.com/video.aspx?mkt=en-us&vid=393bf2bd-4fce-4714-8ba7-c18a2e46723e&fg=rss&from=34
http://www.nyclondon.com/blog/archives/2004/09/19/churchills_secret_underground_bunker_paddock.blog
http://www.guardian.co.uk/environment/2005/mar/30/pollution.g2
http://bldgblog.blogspot.com/2005/11/london-topological.html
http://siologen.net/pbase/thumbnails.php?album=9
Saturday, July 19, 2008
Best Subways around the world
Just found this link to some great subway photos from around the world .
For me the Gap exists all over the world but is coloured by its location.
For me the Gap exists all over the world but is coloured by its location.
This is how we work...
Started on Ch 4 of ‘The Missing’. We seem to have come up with quite a good way of working through the book. Maureen sends me a chapter in which she has made a few changes, normally grammatical errors (of which, I am sure, there are many). I then spend about four days reading through the changes and making any corrections that I missed on the last draft. Once this is complete, Maureen and I discuss the chapter on the phone (I believe she lives in Spain, so meeting isn’t possible), with her pointing out any areas she had difficulty with or didn’t quite understand. This is a more in depth analysis of sentence structure or a particular phrase or word I’ve used. Sometimes a change is made, more often than not I go away and think about it before completing one more rewrite of that section.
I’m not sure if this is how other writers work with their editor’s, but for me it seems to be working.
****
‘Heart of Empire’ is the follow up to the Luther Arkwright books. Where the first were drawn in meticulous black and white, this book is completed in bright and bold colours (though the work is still highly detailed).
I found this even more enjoyable than the first three books, I think mainly because it is more accessible than the first book. There is a lot to be said for having a clear and concise plot, though the ambiguity of the parallel dimensions had already been created through the first work, confusing as it may be.
There are some great reworking of real people in this book, allowing Talbot to put the boot in with those people he obviously feels garner too much press time for little or no artistic or social integrity, a fop by the name of Sir Joshua Hirst is a fine example. The book does not push the Arkwright mythos forward in any way, but it remains a great read.
Read this week:
Heart of Empire or The Legacy of Luther Arkwright by Bryan Talbot
I’m not sure if this is how other writers work with their editor’s, but for me it seems to be working.
****
‘Heart of Empire’ is the follow up to the Luther Arkwright books. Where the first were drawn in meticulous black and white, this book is completed in bright and bold colours (though the work is still highly detailed).
I found this even more enjoyable than the first three books, I think mainly because it is more accessible than the first book. There is a lot to be said for having a clear and concise plot, though the ambiguity of the parallel dimensions had already been created through the first work, confusing as it may be.
There are some great reworking of real people in this book, allowing Talbot to put the boot in with those people he obviously feels garner too much press time for little or no artistic or social integrity, a fop by the name of Sir Joshua Hirst is a fine example. The book does not push the Arkwright mythos forward in any way, but it remains a great read.
Read this week:
Heart of Empire or The Legacy of Luther Arkwright by Bryan Talbot
Monday, July 14, 2008
Comic Timing
Just finishing off Ch.3 of 'The Missing', with the help of Maureen. Still plenty of work to go and with Madam Vin doing the first read through of 'DarkFather' and the new short story I've started, things are busy, busy, busy.
Been able to do quite a bit of reading over the weekend by sticking mainly to comics:
Skin was banned and few people wanted to publish it when it was first touted. The story of a violent skin head Thalidomide is not going to be every one's ideal subject matter and while the comic is worthy it is intrinsically flawed due to its main character. You never sympathise or really care about Martin 'Atchet and early on you realise the inevitable ending. It is however, well written with clever use of language and the bright almost hypnotic art work is uplifting.
Batman Year One I first read years ago and seems to have aged well. It's Miller's re imagining of the Dark Knight, gone is the ludicrous 70s version (including the rubbish Robin character who I've never liked) and in its place is the darkness and film noir of a Gotham in need of a violent anti-hero. Clever, violent and very, very dark.
Ministry of Space is an alternative history piece concerning what would have happened if Britain had won the space race and not followed WW2 with a decade of depression and a huge national debt. What's best here is the art work, it's magnificent, full of Dan Dare type vehicles and colours. It's only problem is the ending, too quick and too obvious.
It is written by Warren Ellis who also produced Freakangels, which I am enjoying and can't wait to read the next episode of.
The Last American is a futuristic 'last man' story that just doesn't seem to go anywhere. It feels as if the writers and artist both got bored with the project and gave up after several episodes. This a shame because it was building into a good story and the small detailed art work gave it a claustrophobic and empty feel, perfect for the attitude of the hero.
My favourite read has been Batman: The Killing Joke. At last a comic book that understands the Joker, how twisted and unbalanced he really is. This Deluxe recoloured version is amazing, lush and sharp. It also highlights what a good writer Alan Moore can be when working with an artist ready to curb some of his more outlandish digressions. Almost perfect.
****
This blog is now also going out on SFCrowsNest run by the talented (and probably very busy Stephen Hunt. If you haven't read the website or Stephen's work I can highly recommend both.
Read this week:
Batman: The Killing Joke by Alan Moore and Brian Bolland
Lat American by Alan Grant, Mike McMahon and John Wagner
Ministry of Space by Warren Ellis, Chris Weston and Laura Martin
Batman Year One by Frank Miller, David Mazzucchelli and Richmond Lewis
Skin by Peter Milligan, Brendan McCarthy and Carol Swain
Been able to do quite a bit of reading over the weekend by sticking mainly to comics:
Skin was banned and few people wanted to publish it when it was first touted. The story of a violent skin head Thalidomide is not going to be every one's ideal subject matter and while the comic is worthy it is intrinsically flawed due to its main character. You never sympathise or really care about Martin 'Atchet and early on you realise the inevitable ending. It is however, well written with clever use of language and the bright almost hypnotic art work is uplifting.
Batman Year One I first read years ago and seems to have aged well. It's Miller's re imagining of the Dark Knight, gone is the ludicrous 70s version (including the rubbish Robin character who I've never liked) and in its place is the darkness and film noir of a Gotham in need of a violent anti-hero. Clever, violent and very, very dark.
Ministry of Space is an alternative history piece concerning what would have happened if Britain had won the space race and not followed WW2 with a decade of depression and a huge national debt. What's best here is the art work, it's magnificent, full of Dan Dare type vehicles and colours. It's only problem is the ending, too quick and too obvious.
It is written by Warren Ellis who also produced Freakangels, which I am enjoying and can't wait to read the next episode of.
The Last American is a futuristic 'last man' story that just doesn't seem to go anywhere. It feels as if the writers and artist both got bored with the project and gave up after several episodes. This a shame because it was building into a good story and the small detailed art work gave it a claustrophobic and empty feel, perfect for the attitude of the hero.
My favourite read has been Batman: The Killing Joke. At last a comic book that understands the Joker, how twisted and unbalanced he really is. This Deluxe recoloured version is amazing, lush and sharp. It also highlights what a good writer Alan Moore can be when working with an artist ready to curb some of his more outlandish digressions. Almost perfect.
****
This blog is now also going out on SFCrowsNest run by the talented (and probably very busy Stephen Hunt. If you haven't read the website or Stephen's work I can highly recommend both.
Read this week:
Batman: The Killing Joke by Alan Moore and Brian Bolland
Lat American by Alan Grant, Mike McMahon and John Wagner
Ministry of Space by Warren Ellis, Chris Weston and Laura Martin
Batman Year One by Frank Miller, David Mazzucchelli and Richmond Lewis
Skin by Peter Milligan, Brendan McCarthy and Carol Swain
Thursday, July 10, 2008
Iron Arkwright
And the Blogger Buddy seems to work fine. Don't know if I'll use it very often buts it’s a handy little device for when I can't be bothered to sign in.
Just finished Iron Angel by Alan Campbell, this is definitely a book 2 kind of book. It feels like you are in the middle of something and you need to have read book 1 (Scar Night - one of my top trumps of last year) to understand what is going on while the whole book ends without really ending at all, but sets itself up for book three.
Like the first it’s probably classed as dark fantasy and as the plot spends most of its time in hell then lightness is not something you expect to come across. It is perhaps this rendering of hell that is of most interest. Campbell's imagination must have been working over time (or else he's been drinking too much coffee) as it’s beautifully rendered and unlike any version of hell I've ever read about before. It is a truly horrific place where every construct is a damned soul warped to a gods imagining.
The first story was personal while this is vast and that is perhaps my only concern. Because so much was happening across such a vast world to a myriad of characters I felt it was harder to connect with the story (plus Carnival is missing, which is shame. I liked her). It's epic but looses some of the heart of the first book.
Also read the Luther Arkwright series by Bryan Talbot (who I'm seeing in August at the festival). I read this on the back of Alice in Sunderland which was one of my favourites of last year. It's different but also just as ambitious, plotting a story across multiple versions of the same world called the multiverse (which I think I'm heard used before in Interworld (goes to check), it is! I wonder if this was homage or just a result of minds thinking alike by Gaiman and Reaves).
The simple black and white drawings help the complex language and ideas expressed which take some time to adjust to. This is not a graphic story without heart or brains and you have to bring your intellect to the party. It takes a little time to get into it but stick with it, it's worth it.
Read this week:
Iron Angel by Alan Campbell
The Adventures of Luther Arkwright Book 1, 2 and 3 by Bryan Talbot
Just finished Iron Angel by Alan Campbell, this is definitely a book 2 kind of book. It feels like you are in the middle of something and you need to have read book 1 (Scar Night - one of my top trumps of last year) to understand what is going on while the whole book ends without really ending at all, but sets itself up for book three.
Like the first it’s probably classed as dark fantasy and as the plot spends most of its time in hell then lightness is not something you expect to come across. It is perhaps this rendering of hell that is of most interest. Campbell's imagination must have been working over time (or else he's been drinking too much coffee) as it’s beautifully rendered and unlike any version of hell I've ever read about before. It is a truly horrific place where every construct is a damned soul warped to a gods imagining.
The first story was personal while this is vast and that is perhaps my only concern. Because so much was happening across such a vast world to a myriad of characters I felt it was harder to connect with the story (plus Carnival is missing, which is shame. I liked her). It's epic but looses some of the heart of the first book.
Also read the Luther Arkwright series by Bryan Talbot (who I'm seeing in August at the festival). I read this on the back of Alice in Sunderland which was one of my favourites of last year. It's different but also just as ambitious, plotting a story across multiple versions of the same world called the multiverse (which I think I'm heard used before in Interworld (goes to check), it is! I wonder if this was homage or just a result of minds thinking alike by Gaiman and Reaves).
The simple black and white drawings help the complex language and ideas expressed which take some time to adjust to. This is not a graphic story without heart or brains and you have to bring your intellect to the party. It takes a little time to get into it but stick with it, it's worth it.
Read this week:
Iron Angel by Alan Campbell
The Adventures of Luther Arkwright Book 1, 2 and 3 by Bryan Talbot
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